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If you've never been an Actor, Extra or a Presenter before you'll usually have to be interviewed prior to being entered on to an agents ?books?. This interview is simply to ascertain your suitability for certain parts but more importantly it helps an agent to create a unique profile so they can promote you as an artist to their business partners.  As a artist you will have certain responsibilities when you are booked by a crew or put forward for a job/casting
The most basic of requirements is that an artist can clearly demonstrate their talent and that they have something tangible to promote themselves with. A 'CV' or an 'Audition Reel'.-We recommend creating a - 'DVD Show reel'
The criteria may be as simple as casual wear (jeans and T shirt). If you are part of a period drama, apparel will be supplied by the production company’s wardrobe department.
Below are details you may find important and should read.
For more relevant information on your chosen area follow the links for Actors  Models and Extras 

FINDING AN AGENT:

There are several different types of agents, each represent various types of actors; there are agents that just look after presenters, or voice-overs, and others that concentrate on Dancers, Singers, and finally supporting Artists. Etc. Each agency has an image it tries to project and maintain. Every Actor represented by the agency is an extension of its own image.
Agents representing actors or presenters on a personal management basis are sometimes on exclusive contracts. Although you could be taken on casual bases in which case these agents don’t require that their artists sign an exclusive contract. That means you could be with more than one agent trying to find you work. Also, there are cooperative agencies where you have much more of an input into your career. Normally you would be expected to work at least one day a week in the agency. It is important, therefore, to know which agent to write to and why. Just because a specific agency is considered to be the best for other people, this does not necessarily mean that it is going to be the best agency for you. Search until you find the best for your particular requirements A little research can save you a lot of time and money. The key ingredient in choosing an agent or agency is the excitement factor. Get advice from other actors, teachers, Casting Directors, and other industry people who can help you choose the right agent. Other ways are through repertory productions, or a showcase. These are normally small profit sharing productions done at established venues all around the country where you can invite agents and casting directors, to see you at work, and, finally, through drama school.
To start, you want a small-to-mid sized agency that is excited about you and will work for you. The agency you sign with shouldn't have too many actors represented by them. It is hard for one individual to handle more than twenty people Remember you should never join an agency over the phone, always go and meet the agent, maybe more than once before signing an exclusive contract. From your agency you should expect: Honesty, Protection, Career Guidance, Promotion, Professional and Courteous Service.
You should not expect from your agent: Advances in pay, Services as a Psychologist, Mother, Father, etc., or Rides anywhere. Always check and make sure that the agency is working within the DTI guidelines: that they pay within 10 days of receipt of any monies that they receive on your behalf, and that all monies are kept in a separate client account. Never pay an agency-joining fee. Accredited agencies will never ask for a registration fees, this is not legal, and goes against the DTI agency legislation, which all agencies in the UK should adhere to. Agencies that do ask for this fee should be reported to the DTI (Department for Trade and Industry). If you are still not sure about the agent ring the DTI and ask if they have any problems with that agency, you will find their number in your local yellow Pages www.yell.com or Thomson Local www.thomsonlocal.co.uk or call the actors Union Equity 020 7379 6000 who will be able to tell you if an agent is on their special attention list.

 

 
 
 

@ YOUR INTERVIEW:

On the day of the interview, ask questions. Just as the agencies will ask you questions, you, too, must find out as much information as you can. You and your agent should agree on your career strategy. Here are some basic questions to ask:

YOUR AGENT WILL EXPECT FROM YOU:

Your pictures, “repro’s”, and CV, need to be kept updated. As well as your spotlight pictures. Allow them to keep your diary. You must always let them know if you are going to be away or are not going to be available for either work or for auditions. The agency needs to be informed of your current address and phone numbers; You should have an answering machine and mobile phone: Your skills on your CV must be honed; You must be on time for everything; and always show up for auditions. Ring if you are going to be even a few minutes late. Always arrive 10 minutes before a casting to look at the script. Constantly keep updating your training, via drama training, voice training, dance training, etc,and keep up-to-date Voice Tapes/CD’s, and show-reels,

FINDING PHOTOGRAPHERS:

The typical neighbourhood photographer, hired to put together a portfolio, is not normally in touch with what actors need for the best promotion. The photographers working in the acting industry know exactly what clients are looking for and how to work with the actor to produce the best results. The whole idea is to capture you at your best. The actor/photographer relationship is crucial in producing the best result. Agencies can provide you with professional photographers at your request, or you can find your own. Here are some questions you need to ask before you shoot with them:

WHAT DO I NEED:

You will need as much information as possible to be able to choose your photographer and, to determine the best way to fill your photographic needs within your budget. You should work closely with your agency to ensure that your look is up to date. A complete portfolio should consist of 5 to 6 shots, but in the beginning you should strive for the basic shots listed below. The others will evolve naturally in a direction that complements your particular style.

Casual head shoulders shot (natural looking hair)
Full-length
Sporty look, full length
Business Suit, Full Length & Head Shot
Swimsuit, and / or body shots, T-shirt and shorts, full length
A well-styled head shot with accessories and perfectly groomed make-up and hair, The pictures must look like you! and not how you think you should look! Nor what the photographer thinks you should look like, nor with lots of make-up, multiple lights and colours, and a fan blowing your hair! Your photographs are your business calling card and no actor can be without them. You will need to present them in two basic forms: Either as composite card or 8x10 photograph “Repro’s” can also be 7x5. Repro’s should be made annually to reflect your updated look. The cost varies with black/white or colour and with quantity needed. With price is generally worked out on the cost of 500 or 1000. Slip a few of these in the back of your portfolio. You never know when a potential client will ask for one.

 

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